ボブ ディラン 反戦 歌

Introduction:

ボブ ディラン (Bob Dylan) is a legendary American singer-songwriter, poet, and painter. He is considered one of the most influential musicians of the 20th century and has won numerous awards, including the Nobel Prize in Literature in 2016. Dylan is known for his powerful and thought-provoking lyrics that often deal with social and political issues. One of the most prominent themes in Dylan’s music is anti-war activism. In this article, we will explore some of the most significant anti-war songs by Bob Dylan and analyze their lyrics in Japanese.

1. Blowin’ in the Wind (風に吹かれて):

Blowin’ in the Wind is one of Bob Dylan’s most famous songs, and it is considered an anthem for peace and social justice. The song was written in 1962 and was originally released on his album, The Freewheelin’ Bob Dylan. The song has been covered by numerous artists, including Joan Baez, Stevie Wonder, and Peter, Paul, and Mary. The song’s lyrics ask a series of rhetorical questions that explore the nature of war, peace, and social justice.

Verse 1:
How many roads must a man walk down
Before you call him a man?
How many seas must a white dove sail
Before she sleeps in the sand?
Yes, and how many times must the cannonballs fly
Before they’re forever banned?

Analysis:
In the first verse, Dylan questions the basic humanity of war and violence. He asks how many roads a man must walk down before he is considered a man, suggesting that war and violence undermine the basic humanity of individuals. The line, how many seas must a white dove sail before she sleeps in the sand? is a metaphorical question that asks how many more innocent lives must be lost before peace is achieved. The final line of the verse, how many times must the cannonballs fly before they’re forever banned? is a call to action to end war and violence.

Verse 2:
How many years can a mountain exist
Before it’s washed to the sea?
Yes, and how many years can some people exist
Before they’re allowed to be free?
Yes, and how many times can a man turn his head
And pretend that he just doesn’t see?

Analysis:
In the second verse, Dylan questions the longevity of war and violence. He asks how long a mountain can exist before it is washed away, suggesting that even the most powerful and enduring things can be destroyed by war. The line, how many years can some people exist before they’re allowed to be free? is a direct challenge to those who promote war and violence as a means of achieving political objectives. The final line of the verse, how many times can a man turn his head and pretend that he just doesn’t see? is a critique of those who ignore the human cost of war and violence.

Verse 3:
How many times must a man look up
Before he can see the sky?
Yes, and how many ears must one man have
Before he can hear people cry?
Yes, and how many deaths will it take ’til he knows
That too many people have died?

Analysis:
In the third verse, Dylan questions the fundamental values of war and violence. He asks how many times a man must look up before he can see the sky, suggesting that war and violence can blind people to the beauty of nature and the world around them. The line, how many ears must one man have before he can hear people cry? challenges the idea that war and violence are necessary to achieve political objectives. The final line of the verse, how many deaths will it take ’til he knows that too many people have died? is a direct challenge to those who advocate for war and violence without considering the human cost.

Conclusion:
Blowin’ in the Wind is a powerful and thought-provoking anti-war song that challenges the fundamental values of war and violence. Dylan’s use of rhetorical questions and metaphors creates a powerful, emotional impact on the listener, and his call to action to end war and violence is as relevant today as it was when the song was first released.

2. Masters of War (戦争の支配者たち):

Masters of War is another powerful anti-war song by Bob Dylan. The song was written in 1963 and was included on his album The Freewheelin’ Bob Dylan. The song is a scathing critique of the military-industrial complex and those who profit from war and violence.

Verse 1:
You that never done nothin’
But build to destroy
You play with my world
Like it’s your little toy
You put a gun in my hand
And you hide from my eyes
And you turn and run farther
When the fast bullets fly

Analysis:
In the first verse, Dylan directs his anger at those who profit from war and violence. He accuses them of building to destroy and treating the world as their little toy. The line you put a gun in my hand and you hide from my eyes suggests that the people who promote war and violence are not willing to face the consequences of their actions. The final line of the verse, and you turn and run farther when the fast bullets fly is a critique of those who promote war and violence but are not willing to fight on the front lines.

Verse 2:
Like Judas of old
You lie and deceive
A world war can be won
You want me to believe
But I see through your eyes
And I see through your brain
Like I see through the water
That runs down my drain

Analysis:
In the second verse, Dylan compares the people who promote war and violence to Judas, the disciple who betrayed Jesus Christ. He accuses them of lying and deceiving people into believing that war and violence are necessary. The line, a world war can be won, you want me to believe challenges the idea that war is a viable solution to political problems. The final line of the verse, like I see through the water that runs down my drain suggests that Dylan sees through the lies and deception of those who promote war and violence.

Verse 3:
You fasten all the triggers
For the others to fire
Then you sit back and watch
While the death count gets higher
You hide in your mansion
As young people’s blood
Flows out of their bodies
And is buried in the mud

Analysis:
In the third verse, Dylan accuses those who promote war and violence of cowardice and hypocrisy. He suggests that they are responsible for the death and destruction that results from war but do not have to face the consequences themselves. The line, you hide in your mansion as young people’s blood flows out of their bodies and is buried in the mud is a powerful indictment of those who profit from war and violence.

Conclusion:
Masters of War is a scathing critique of the military-industrial complex and those who profit from war and violence. Dylan’s use of metaphor and imagery creates a powerful and emotional impact on the listener, and his message is as relevant today as it was when the song was first released.

3. A Hard Rain’s a-Gonna Fall (大雨が降る前に):

A Hard Rain’s a-Gonna Fall is a powerful and enigmatic song by Bob Dylan. The song was written in 1962 and was included on his album The Freewheelin’ Bob Dylan. The song’s lyrics are often interpreted as a warning about the dangers of nuclear war, although Dylan himself has said that the song has multiple meanings.

Verse 1:
Oh, where have you been, my blue-eyed son?
Oh, where have you been, my darling young one?
I’ve stumbled on the side of twelve misty mountains
I’ve walked and I’ve crawled on six crooked highways
I’ve stepped in the middle of seven sad forests
I’ve been out in front of a dozen dead oceans
I’ve been ten thousand miles in the mouth of a graveyard
And it’s a hard, and it’s a hard, it’s a hard, and it’s a hard
And it’s a hard rain’s a-gonna fall

Analysis:
In the first verse, Dylan sets the tone for the song by asking a series of questions about where someone has been. The imagery in the verse is powerful and evocative, suggesting a journey through difficult and dangerous terrain. The repetition of the phrase it’s a hard, and it’s a hard creates a sense of foreboding and uncertainty, and the final line of the verse, and it’s a hard rain’s a-gonna fall suggests that something ominous is about to happen.

Verse 2:
Oh, what did you see, my blue-eyed son?
Oh, what did you see, my darling young one?
I saw a newborn baby with wild wolves all around it
I saw a highway of diamonds with nobody on it
I saw a black branch with blood that kept drippin’
I saw a room full of men with their hammers a-bleedin’
I saw a white ladder all covered with water
And it’s a hard, and it’s a hard, it’s a hard, and it’s a hard
And it’s a hard rain’s a-gonna fall

Analysis:
In the second verse, Dylan continues to ask questions about what someone has seen. The imagery in the verse is even more disturbing than in the first verse, with references to wild wolves, blood, and men with hammers. The line I saw a highway of diamonds with nobody on it suggests a sense of emptiness and despair, and the final line of the verse, and it’s a hard rain’s a-gonna fall creates a sense